Featured Past Articles Dec 2, 2025 Guest User REVIEW: Olivia Kan-Sperling, “Little Pink Book: a bad bad novel” Dec 2, 2025 Guest User Dec 2, 2025 Guest User Dec 2, 2025 Guest User REVIEW: A Reading of Scott Burton as “Shape Shifter”: Part 1 – The Postminimal Moment Dec 2, 2025 Guest User Dec 2, 2025 Guest User Dec 2, 2025 Michael Workman INTERVIEW: Chicago Artist Tony Fitzpatrick Talks Chicago Art Dec 2, 2025 Michael Workman Dec 2, 2025 Michael Workman Dec 18, 2022 Michael Workman SITE VISIT: Anne Wilson, Davis Street Drawing Room Dec 18, 2022 Michael Workman Dec 18, 2022 Michael Workman Dec 12, 2022 Michael Workman REVIEW: “I Have Seen the Bluest Blue” by Natalee Cruz Dec 12, 2022 Michael Workman Dec 12, 2022 Michael Workman Dec 5, 2022 Michael Workman INTERVIEW: Susannah Papish & Melissa Potter, “Invisible Labors” at Jane Addams Hull House Dec 5, 2022 Michael Workman Dec 5, 2022 Michael Workman Nov 21, 2022 Michael Workman REVIEW: Nour Mobarak: “Intermissions” at The Renaissance Society Nov 21, 2022 Michael Workman Nov 21, 2022 Michael Workman Nov 14, 2022 Michael Workman REVIEW: Sometimes the bringing together can be preposterous; a review of Kevin Sampsell’s collage and poetry text, “I Made An Accident” Nov 14, 2022 Michael Workman Nov 14, 2022 Michael Workman Nov 7, 2022 Michael Workman REVIEW: David Hockney, “The Arrival of Spring, Normandy, 2020” at the Art Institute of Chicago Nov 7, 2022 Michael Workman Nov 7, 2022 Michael Workman Oct 31, 2022 Michael Workman FICTION: “The New Normal” by Alexander Jones Oct 31, 2022 Michael Workman Oct 31, 2022 Michael Workman Oct 24, 2022 Michael Workman IN MEMORIUM: Big-Time Art Critic (An Unpublished Peter Schjeldahl Interview) Oct 24, 2022 Michael Workman Oct 24, 2022 Michael Workman Oct 17, 2022 Michael Workman REVIEW: “Fabricating Fashion” at the Art Institute of Chicago Oct 17, 2022 Michael Workman Oct 17, 2022 Michael Workman Oct 10, 2022 Michael Workman REVIEW: “SOLO(S)” by Krista Franklin at the DePaul Art Museum Oct 10, 2022 Michael Workman Oct 10, 2022 Michael Workman Oct 3, 2022 Michael Workman FICTION: “Waste” by Meredith Shapiro Oct 3, 2022 Michael Workman Oct 3, 2022 Michael Workman Sep 26, 2022 Michael Workman REVIEW: Native Truths: Our Voices, Our Stories at the Field Museum Sep 26, 2022 Michael Workman Sep 26, 2022 Michael Workman Sep 19, 2022 Michael Workman REVIEW: MdW FAIR at Mana Contemporary Sep 19, 2022 Michael Workman Sep 19, 2022 Michael Workman Sep 11, 2022 Michael Workman FOUND: “You’re Going to Grow Up in a Very Different America;” 9/11 & the Story of the Tiny Journal Sep 11, 2022 Michael Workman Sep 11, 2022 Michael Workman Sep 5, 2022 Michael Workman REVIEW: Sophie Calle: Because — The Blind at The Art Institute of Chicago Sep 5, 2022 Michael Workman Sep 5, 2022 Michael Workman Aug 22, 2022 Michael Workman REVIEW: Leslie Baum, Diane Christiansen, and Selina Trepp, An Instrument in the Shape of a Woman at the Chicago Cultural Center Aug 22, 2022 Michael Workman Aug 22, 2022 Michael Workman May 23, 2022 Michael Workman REVIEW: Sandra Binion, “the beauty of something ripped” at Alliance Française May 23, 2022 Michael Workman May 23, 2022 Michael Workman May 16, 2022 Michael Workman REVIEW: Rirkrit Tiravanija at Wrightwood 659 May 16, 2022 Michael Workman May 16, 2022 Michael Workman May 9, 2022 Michael Workman SITE VISIT: Deborah Maris Lader at the Chicago Printmaker’s Collaborative May 9, 2022 Michael Workman May 9, 2022 Michael Workman May 2, 2022 Michael Workman REVIEW: Loving Repeating at the Hyde Park Art Center May 2, 2022 Michael Workman May 2, 2022 Michael Workman Apr 25, 2022 Michael Workman IN MEMORIUM: We’re Really Going to Miss You, Doll (The Unpublished Cynthia Plaster Caster Interview) Apr 25, 2022 Michael Workman Apr 25, 2022 Michael Workman Apr 18, 2022 Michael Workman OP-ED: No Democracy in the Art World Apr 18, 2022 Michael Workman Apr 18, 2022 Michael Workman Apr 4, 2022 Michael Workman REVIEW: Bob Thompson: This House is Mine at The Smart Museum Apr 4, 2022 Michael Workman Apr 4, 2022 Michael Workman Mar 28, 2022 Michael Workman REVIEW: Ray Johnson c/o at The Art Institute Mar 28, 2022 Michael Workman Mar 28, 2022 Michael Workman Mar 21, 2022 Michael Workman REVIEW: Subscribe: Artists and Alternative Magazines, 1970-1995 at the Art Institute Mar 21, 2022 Michael Workman Mar 21, 2022 Michael Workman
