Featured Past Articles December 2, 2025 Guest User REVIEW: Olivia Kan-Sperling, “Little Pink Book: a bad bad novel” December 2, 2025 Guest User December 2, 2025 Guest User December 2, 2025 Guest User REVIEW: A Reading of Scott Burton as “Shape Shifter”: Part 1 – The Postminimal Moment December 2, 2025 Guest User December 2, 2025 Guest User December 2, 2025 Michael Workman INTERVIEW: Chicago Artist Tony Fitzpatrick Talks Chicago Art December 2, 2025 Michael Workman December 2, 2025 Michael Workman December 18, 2022 Michael Workman SITE VISIT: Anne Wilson, Davis Street Drawing Room December 18, 2022 Michael Workman December 18, 2022 Michael Workman December 12, 2022 Michael Workman REVIEW: “I Have Seen the Bluest Blue” by Natalee Cruz December 12, 2022 Michael Workman December 12, 2022 Michael Workman December 5, 2022 Michael Workman INTERVIEW: Susannah Papish & Melissa Potter, “Invisible Labors” at Jane Addams Hull House December 5, 2022 Michael Workman December 5, 2022 Michael Workman November 21, 2022 Michael Workman REVIEW: Nour Mobarak: “Intermissions” at The Renaissance Society November 21, 2022 Michael Workman November 21, 2022 Michael Workman November 14, 2022 Michael Workman REVIEW: Sometimes the bringing together can be preposterous; a review of Kevin Sampsell’s collage and poetry text, “I Made An Accident” November 14, 2022 Michael Workman November 14, 2022 Michael Workman November 7, 2022 Michael Workman REVIEW: David Hockney, “The Arrival of Spring, Normandy, 2020” at the Art Institute of Chicago November 7, 2022 Michael Workman November 7, 2022 Michael Workman October 31, 2022 Michael Workman FICTION: “The New Normal” by Alexander Jones October 31, 2022 Michael Workman October 31, 2022 Michael Workman October 24, 2022 Michael Workman IN MEMORIUM: Big-Time Art Critic (An Unpublished Peter Schjeldahl Interview) October 24, 2022 Michael Workman October 24, 2022 Michael Workman October 17, 2022 Michael Workman REVIEW: “Fabricating Fashion” at the Art Institute of Chicago October 17, 2022 Michael Workman October 17, 2022 Michael Workman October 10, 2022 Michael Workman REVIEW: “SOLO(S)” by Krista Franklin at the DePaul Art Museum October 10, 2022 Michael Workman October 10, 2022 Michael Workman October 3, 2022 Michael Workman FICTION: “Waste” by Meredith Shapiro October 3, 2022 Michael Workman October 3, 2022 Michael Workman September 26, 2022 Michael Workman REVIEW: Native Truths: Our Voices, Our Stories at the Field Museum September 26, 2022 Michael Workman September 26, 2022 Michael Workman September 19, 2022 Michael Workman REVIEW: MdW FAIR at Mana Contemporary September 19, 2022 Michael Workman September 19, 2022 Michael Workman September 11, 2022 Michael Workman FOUND: “You’re Going to Grow Up in a Very Different America;” 9/11 & the Story of the Tiny Journal September 11, 2022 Michael Workman September 11, 2022 Michael Workman September 5, 2022 Michael Workman REVIEW: Sophie Calle: Because — The Blind at The Art Institute of Chicago September 5, 2022 Michael Workman September 5, 2022 Michael Workman August 22, 2022 Michael Workman REVIEW: Leslie Baum, Diane Christiansen, and Selina Trepp, An Instrument in the Shape of a Woman at the Chicago Cultural Center August 22, 2022 Michael Workman August 22, 2022 Michael Workman May 23, 2022 Michael Workman REVIEW: Sandra Binion, “the beauty of something ripped” at Alliance Française May 23, 2022 Michael Workman May 23, 2022 Michael Workman May 16, 2022 Michael Workman REVIEW: Rirkrit Tiravanija at Wrightwood 659 May 16, 2022 Michael Workman May 16, 2022 Michael Workman May 9, 2022 Michael Workman SITE VISIT: Deborah Maris Lader at the Chicago Printmaker’s Collaborative May 9, 2022 Michael Workman May 9, 2022 Michael Workman May 2, 2022 Michael Workman REVIEW: Loving Repeating at the Hyde Park Art Center May 2, 2022 Michael Workman May 2, 2022 Michael Workman April 25, 2022 Michael Workman IN MEMORIUM: We’re Really Going to Miss You, Doll (The Unpublished Cynthia Plaster Caster Interview) April 25, 2022 Michael Workman April 25, 2022 Michael Workman April 18, 2022 Michael Workman OP-ED: No Democracy in the Art World April 18, 2022 Michael Workman April 18, 2022 Michael Workman April 4, 2022 Michael Workman REVIEW: Bob Thompson: This House is Mine at The Smart Museum April 4, 2022 Michael Workman April 4, 2022 Michael Workman March 28, 2022 Michael Workman REVIEW: Ray Johnson c/o at The Art Institute March 28, 2022 Michael Workman March 28, 2022 Michael Workman March 21, 2022 Michael Workman REVIEW: Subscribe: Artists and Alternative Magazines, 1970-1995 at the Art Institute March 21, 2022 Michael Workman March 21, 2022 Michael Workman
