Featured Past Articles Dec 18, 2022 Michael Workman SITE VISIT: Anne Wilson, Davis Street Drawing Room Dec 18, 2022 Michael Workman Dec 18, 2022 Michael Workman Dec 12, 2022 Michael Workman REVIEW: “I Have Seen the Bluest Blue” by Natalee Cruz Dec 12, 2022 Michael Workman Dec 12, 2022 Michael Workman Dec 5, 2022 Michael Workman INTERVIEW: Susannah Papish & Melissa Potter, “Invisible Labors” at Jane Addams Hull House Dec 5, 2022 Michael Workman Dec 5, 2022 Michael Workman Nov 21, 2022 Michael Workman REVIEW: Nour Mobarak: “Intermissions” at The Renaissance Society Nov 21, 2022 Michael Workman Nov 21, 2022 Michael Workman Nov 14, 2022 Michael Workman REVIEW: Sometimes the bringing together can be preposterous; a review of Kevin Sampsell’s collage and poetry text, “I Made An Accident” Nov 14, 2022 Michael Workman Nov 14, 2022 Michael Workman Nov 7, 2022 Michael Workman REVIEW: David Hockney, “The Arrival of Spring, Normandy, 2020” at the Art Institute of Chicago Nov 7, 2022 Michael Workman Nov 7, 2022 Michael Workman Oct 31, 2022 Michael Workman FICTION: “The New Normal” by Alexander Jones Oct 31, 2022 Michael Workman Oct 31, 2022 Michael Workman Oct 24, 2022 Michael Workman IN MEMORIUM: Big-Time Art Critic (An Unpublished Peter Schjeldahl Interview) Oct 24, 2022 Michael Workman Oct 24, 2022 Michael Workman Oct 17, 2022 Michael Workman REVIEW: “Fabricating Fashion” at the Art Institute of Chicago Oct 17, 2022 Michael Workman Oct 17, 2022 Michael Workman Oct 10, 2022 Michael Workman REVIEW: “SOLO(S)” by Krista Franklin at the DePaul Art Museum Oct 10, 2022 Michael Workman Oct 10, 2022 Michael Workman Oct 3, 2022 Michael Workman FICTION: “Waste” by Meredith Shapiro Oct 3, 2022 Michael Workman Oct 3, 2022 Michael Workman Sep 26, 2022 Michael Workman REVIEW: Native Truths: Our Voices, Our Stories at the Field Museum Sep 26, 2022 Michael Workman Sep 26, 2022 Michael Workman Sep 19, 2022 Michael Workman REVIEW: MdW FAIR at Mana Contemporary Sep 19, 2022 Michael Workman Sep 19, 2022 Michael Workman Sep 11, 2022 Michael Workman FOUND: “You’re Going to Grow Up in a Very Different America;” 9/11 & the Story of the Tiny Journal Sep 11, 2022 Michael Workman Sep 11, 2022 Michael Workman Sep 5, 2022 Michael Workman REVIEW: Sophie Calle: Because — The Blind at The Art Institute of Chicago Sep 5, 2022 Michael Workman Sep 5, 2022 Michael Workman Aug 22, 2022 Michael Workman REVIEW: Leslie Baum, Diane Christiansen, and Selina Trepp, An Instrument in the Shape of a Woman at the Chicago Cultural Center Aug 22, 2022 Michael Workman Aug 22, 2022 Michael Workman May 23, 2022 Michael Workman REVIEW: Sandra Binion, “the beauty of something ripped” at Alliance Française May 23, 2022 Michael Workman May 23, 2022 Michael Workman May 16, 2022 Michael Workman REVIEW: Rirkrit Tiravanija at Wrightwood 659 May 16, 2022 Michael Workman May 16, 2022 Michael Workman May 9, 2022 Michael Workman SITE VISIT: Deborah Maris Lader at the Chicago Printmaker’s Collaborative May 9, 2022 Michael Workman May 9, 2022 Michael Workman May 2, 2022 Michael Workman REVIEW: Loving Repeating at the Hyde Park Art Center May 2, 2022 Michael Workman May 2, 2022 Michael Workman Apr 25, 2022 Michael Workman IN MEMORIUM: We’re Really Going to Miss You, Doll (The Unpublished Cynthia Plaster Caster Interview) Apr 25, 2022 Michael Workman Apr 25, 2022 Michael Workman Apr 18, 2022 Michael Workman OP-ED: No Democracy in the Art World Apr 18, 2022 Michael Workman Apr 18, 2022 Michael Workman Apr 4, 2022 Michael Workman REVIEW: Bob Thompson: This House is Mine at The Smart Museum Apr 4, 2022 Michael Workman Apr 4, 2022 Michael Workman Mar 28, 2022 Michael Workman REVIEW: Ray Johnson c/o at The Art Institute Mar 28, 2022 Michael Workman Mar 28, 2022 Michael Workman Mar 21, 2022 Michael Workman REVIEW: Subscribe: Artists and Alternative Magazines, 1970-1995 at the Art Institute Mar 21, 2022 Michael Workman Mar 21, 2022 Michael Workman Mar 21, 2022 Michael Workman REVIEW: Arnold J. Kemp, Less Like an Object and More Like the Weather at the Neubauer Collegium Mar 21, 2022 Michael Workman Mar 21, 2022 Michael Workman Mar 14, 2022 Michael Workman REVIEW: Authoring Allure by Erica McKeehen at The Martin Mar 14, 2022 Michael Workman Mar 14, 2022 Michael Workman Feb 28, 2022 Michael Workman REVIEW: Like Queer Animals: We Hold Your Gaze at the Epiphany Arts Center Feb 28, 2022 Michael Workman Feb 28, 2022 Michael Workman Feb 27, 2022 Michael Workman Bridge Magazine Inaugural Letter from the Editor Feb 27, 2022 Michael Workman Feb 27, 2022 Michael Workman
