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Fwd-Museums [Redacted].jpg
Store FWD: MUSEUMS: “Redacted” (2023), Edited by Therese Quinn & Miguel Limon: “Redacted” (Alternate Rabia Tayyabi Cover)

FWD: MUSEUMS: “Redacted” (2023), Edited by Therese Quinn & Miguel Limon: “Redacted” (Alternate Rabia Tayyabi Cover)

$25.00

FWD: Museums Journal - Redacted, Alternate Rabia Tayyabi Cover

A notable absence, a muting, making invisible. Redaction extends beyond the simple black squares as incomplete redactions – stamps marked with ‘deleted’ covering the text– white squares, and handmade notations. 

Each black square signifies absence. It serves as a reminder for enforced forgetfulness. Uncovering the secret behind the mask and discovering the text underneath seems like a daring task, but is the redacted information really gone? 

What is visible in cultural spaces, and what is invisible? In attempts to appeal to the public, what is redacted? 

We accept any theme that explores the theme of CENSORSHIP. Potential topics include: 

Relationship between ethics and empathy 

    flexibility of ethics 

    meaning-making

Cultural taboos and disgust 

Repatriation in cultural institutions

Memorialization (death and mourning)

Right to privacy, what is private (public vs. private spheres)

Invisible labor 

    preparatory

    unpaid co-curation

    interns

Salary transparency 

Invisible illness/disability and accessibility

Underrepresented narratives and communities 

Houselessness

Queer and Trans, 

Political radicals

Regulated behaviors in cultural institutions

Tainted Funding and/or Donors

Destruction of material culture/art (intentional) 

Politics/news; muted movements 

Gatekeeping

Body-mind politics + a(sexuality)

Quantity:
Add To Cart

FWD: MUSEUMS: “Redacted” (2023), Edited by Therese Quinn & Miguel Limon: “Redacted” (Alternate Rabia Tayyabi Cover)

$25.00

FWD: Museums Journal - Redacted, Alternate Rabia Tayyabi Cover

A notable absence, a muting, making invisible. Redaction extends beyond the simple black squares as incomplete redactions – stamps marked with ‘deleted’ covering the text– white squares, and handmade notations. 

Each black square signifies absence. It serves as a reminder for enforced forgetfulness. Uncovering the secret behind the mask and discovering the text underneath seems like a daring task, but is the redacted information really gone? 

What is visible in cultural spaces, and what is invisible? In attempts to appeal to the public, what is redacted? 

We accept any theme that explores the theme of CENSORSHIP. Potential topics include: 

Relationship between ethics and empathy 

    flexibility of ethics 

    meaning-making

Cultural taboos and disgust 

Repatriation in cultural institutions

Memorialization (death and mourning)

Right to privacy, what is private (public vs. private spheres)

Invisible labor 

    preparatory

    unpaid co-curation

    interns

Salary transparency 

Invisible illness/disability and accessibility

Underrepresented narratives and communities 

Houselessness

Queer and Trans, 

Political radicals

Regulated behaviors in cultural institutions

Tainted Funding and/or Donors

Destruction of material culture/art (intentional) 

Politics/news; muted movements 

Gatekeeping

Body-mind politics + a(sexuality)

Quantity:
Add To Cart

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Bridge Volume 24, Number 1
$45.00

IMPERATIVE CATEGORIES

AVAILABLE NOW

SECTIONS & EDITORS
Publisher & Editor-in-Chief Michael Workman
Architecture David Sundry
Couture Kristin Mariani
Dance & Performance Art Michelle Kranicke
Poetry Spencer Hutchinson
Fiction Meghan Lamb
Philosophy Mark Tschaepe
Visual Art Laura Kina

Cover Image: “Anni and Josef,” paint on canvas, 50 x 50 in., 2023 by Jean Frater 2023. Image courtesy the artist.

CONTENTS (In order of first appearance)
Letter from the Editor - Michael Workman

QUIET CHICAGO - A photography exhibition-in-print by Catherine Gass
POETRY - Lawrence Bridges, Vita Lerman, Suzanne O'Connell, Tara Betts, Iris Orpi
FICTION - Zach Braunschweig, Brandon North, Mathew Goldberg
VISUAL ART / FEATURE - "God Damn! 30 Years of Chicago Asian American Artist Collectives" by Laura Kina & YoungSun Choi
HOME SICK - a photography exhibition-in-print by Kathryn Rodriguez
COUTURE - "Letters" by Kristin Mariani w/Dianna Frid; Photography by Mariani & Joerg Metzner
INTERVIEW - "Alternate Futures" with Marshall Brown by Michael Workman
PHILOSOPHY - "Discomfiting Crowns" by Mark Tschaepe w/artwork by Sirena LaBurn
OUTCRY - a photography exhibition-in-print by Whitney Bradshaw

CONTRIBUTORS

Fiction title page illustrations by Maura Walsh; interior illustrations by Michael Workman

"Women Work" gatefold section designs by Sara Tack

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