FWD: MUSEUMS: “Manifesto” (2022), Edited by Therese Quinn & Elisa Soto (Copy)

AVAILABLE NOW — CLICK HERE TO ORDER

HOW DO MUSEUMS RESPOND TO THE URGENCY OF THE MOMENT?

In what ways can museums be critically transformed to foster social justice work? Fwd: Museums, an inclusive, cross disciplinary publication, shares interventions, experiments, and community dialogues within and outside of museums. Our contributors reexamine, critique, and challenge museums as socially responsible spaces.

In our seventh issue, "Manifesto," encompassing more than just a declaration put into writing, these pages are the catalysts to spark action and inspire change. Our contributors, artists, professors, museum professionals, students, and others face our present difficulties and imagine bold new solutions and futures. Inside you will find artwork, essays, poetry, and other creative forms that explore topics such as:

• Reviews examining the use of the museums as neutral arbiters to advance problematic ideologies.

• A call for a new multi-realist approach to diversity within the art world.

• A reimagining of the role of security guards in art museums in Italy.

• How even botanical gardens can advance imperial narratives.

• In their own words, how university students are combining social activism and museum practice in Mexico City.

• Presenting the history of girlhood through museum exhibitions as a form of rebellion.

As the tumultuous first few years of this new decade has laid bare the failings and weakness of our current system, may the dreams of a brighter, better future be manifested.

Now, it's your turn.

We're looking Fwd to continuing the conversation.

Michael Workman

Michael Workman is a choreographer, language, visual and movement artist, dance and performance artist, writer, reporter, and sociocultural critic. In addition to his work at the Chicago Tribune, Guardian US, Newcity magazine, WBEZ Chicago Public Radio and elsewhere, Workman is also Director of Bridge, an artistic collective and 501 (c) (3) publishing and programming organization (bridge-chicago.org). His choreographic writing has been included in Propositional Attitudes, an "anthology of recent performance scores, directions and instructions" published by Golden Spike Press, and his Perfect Worlds: Artistic Forms & Social Imaginaries Vol. 1, the first in a 3-volume series, was released by StepSister Press in October 2018 with a day-long program of performances at the Museum of Contemporary Art, Chicago. Most recently, two of his scores were accepted for publication in a special edition of the Notre Dame Review focusing on the work of participants in the &NOW Festival of Innovative Writing.

https://michaelworkmanstudio.com
Previous
Previous

STEPSISTER PRESS: “Making Way: Sailing Into The Revolutionary Storm” by Dick Farkas with drawings by M.A. Papanek-Miller and designed by Jessica Larva

Next
Next

FWD: MUSEUMS: “In Transit” (2021), Edited by Therese Quinn & Ximena Mora y Oliván