HEADPHONES ON
Welcome to the Bridge Listening Room. The Listening Room is a discovery space programmed by the editors of the Bridge Journal featuring curated dance and music videos from our Bridge Film and Video collection, Soundcloud playlists, Bridge Audio and Readings archive recordings, and other featured recordings; sound art (such as guided sound walks, audio sculptures and installations, place sounds, etc.), live performance recordings, and other audio. Updated periodically.
INTERVIEW: Loss Works on Multiple Levels, A Conversation with Mark Solotroff
Mark Solotroff is a compelling person: both deeply sincere (or, at least, convincingly generous and self-effacing) and darkly enigmatic (as someone whose work explores the dark enigmas of violence, loss, and erasure). Solotroff’s art spans the course of three decades and several projects, including BLOODYMINDED and Anatomy of Habit. Anatomy of Habit recently released a phenomenal album, Black Openings, which is an uncanny potion of doom metal, post-punk, death-rock, and shoegaze that sounds like all and none of these individual ingredients. My own band, Kill Scenes, had the honor of opening for them at the Cobra Lounge alongside burndy (a gloriously brutal noise project featuring Solotroff’s BLOODYMINDED compatriot, Megan Emish).
Mark Solotroff met with me over Zoom on a mid-April evening two weeks after the Black Openings release show. On his side of the screen: an elegantly dressed man — all in black, of course — sipping a glass of red wine. On my side of the screen: a woman nervously fiddling, painfully aware that she’s speaking with a singular artist, a longstanding figure in the Chicago music landscape.
INTERVIEW: A Metamorphosis in RnB: How Kehlani & Lexii Alijai Inspired Poet22’s “Chrysalis”
TLC, Kehlani, and Lexii Alijai are just a few of the voices that have inspired Kala Lones, better known as the RnB artist, “poet 22”. While a lot of her family was raised in Chicago, she grew up in Appleton, Wisconsin. She explains how, in her household, her family sang about everything. It was just how they communicated. She distinctly remembers being introduced to poetry in fourth grade, learning what similes and metaphors were. She credits that early exposure as a “catalyst” to her songwriting. “Once I was able to understand there's a way to convey a message a certain type of way, it lets me know that my writing can be a little bit more creative. And I feel like poetry allowed me that freedom that standard type of writing didn't give me.”
REPORT: Back Alley Jazz 2022
It’s a sweltering day in Chicago’s South Shore neighborhood, the mercury topping 95 degrees, and I’m walking with my son Tristan along the sparsely tree-lined street of Paxton Avenue, where the event is situated on Paxton and Oglesby Avenues, centered at 73rd and Paxton with a mobile stage. We’ve arrived just in time for the procession which opens each edition of the annual event, sponsored by Hyde Park Jazz and co-produced by residents Gail Mangrum and Zenja Vaughn, Jeannine “Katie” Sharpe, her sister, Jonita.
REVIEW: Saba, Few Good Things
Following the critical acclaim for CARE FOR ME, Saba returns with his 3rd studio album, Few Good Things. Like much of his past work, this album speaks to his upbringing on the West Side of Chicago, but with special focus on fond memories of his “Granny’s house.”

